I am, the sinking weight of deathly Styx
grabbing & pushing mortals down in
the endless torture of afterlife –
the inflated heroes and the rotting commoners –
stripped and levelled in a single line.
The armoured wasted bodies
fighting for a glorified
section in history.
I am, memory –
possessing the blind bard,
invoking a perpetual ballad
of remembrance – murderer and murdered
piled into a jarring epic. Cities crumpled
and lives blown out.
Sing! Evoke the fatigued muses:
daughter sacrificed,
wife raped, mother sold and father
a living ghost – his eyes lined
with the blood of his sons –
the war replayed in a maddening litany.
I am, you – insatiable audience –
Here – you – are, god-like,
condescending puppeteers,
deceitfully observing yet
stringing the plot forward.
you, I
I, you
we take, watch, consume –
hopelessly struggling to gain
control and a grip of fate –
But,
remember you will –
Here lies: waste,
garishly dressed in glory,
reeking of immortality.
—
This poem is written in dedication to Michael Tippett’s King Priam which, in turn is an operatic rendition of Homer’s Iliad.
(Michael Tippett’s King Priam, The Royal Opera House, 2014. Adam Tunnicliffe, Clarissa Meek, Andrew Slater, Adrian Dwyer and chorus. © Richard Hubert Smith, www.richardhs.com)

good job sis. keep it up. when you come back to Dubai explain it all to me fore I don’t get most of it
xyz (your forever loving sister)